As someone who’s been using the iPad for editing and working with photos since the very beginning, even I was surprised by how capable Affinity Photo for iPad is. The power of the iPad Pro makes a big difference, yes, but Serif has delivered a full-featured image editor that doesn’t feel compromised.
We’ve come to expect less from iOS software on the iPad compared to desktop applications because, in most cases, they’re mobile—and “mobile” has traditionally meant “limited.” A lot of that has been due to hardware: even as the iPad’s main processors improved, most models included a minimal amount of RAM that made it difficult to pull off operations expected of a modern image editor, such as smoothly dealing with many layers and real-time effects.
The arrival of the iPad Pro, along with a commitment in iOS to take advantage of the hardware, has opened the door for more powerful applications. One of those apps is Affinity Photo for iPad, a full-fledged image editor that doesn’t feel as if the developers had to remove features from a whiteboard to make the app a reality.
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The second article in my series at Lynda.com about using an iPad in the field for photography is now posted. (You can read the Part 1 here.) This one takes us out into the field itself, where I discuss the advantages and the how-to of reviewing photos on location. I talk about using the Apple camera adapters and also wireless options like the Eyefi, which lets you review shots on the iPad while you’re shooting. I also offer ideas for recording location information and getting on-the-spot model releases easily.
The author introduces and discusses more than 50 iPad apps that can be used for everything from wirelessly downloading from your camera to your iPad to editing photos, music, and movies on the iPad to controlling your DSLR from the iPad… I started using three of them even before finishing this review.
Macworld’s Jackie Dove has published her review of iPhoto 2.0 for iOS, the new version of Apple’s mobile photo editor for iPhone, iPad, and iPod touch. She likes it quite a bit, writing:
iPhoto 2.0 for iOS is a fantastic upgrade to Apple’s mobile consumer image editing flagship program; its streamlined, updated interface is a joy to use. Though not as cute and whimsical as last year’s debut version, its swift operation, direct controls, enhanced sharing, and no-nonsense interface make it a must-have upgrade.
Other pressing deadlines have kept me from digging into the new version in depth, but it’s still the photo editor I turn to first on my iPad. I’m looking forward to seeing how well it performs on my new iPad Air, since Jackie’s review suggests a lot of the processing is now being handled by the graphics processor.
DPReview compares two wireless SD cards, the Eye-Fi Pro X2 16 GB and the Transcend 32 GB Wi-Fi: Battle of the Wi-Fi Cards: Eye-Fi vs. Transcend. Although the Transcend offers more storage and costs less, the reviewer found that the Eye-Fi trounces it in performance, range, and software features. (The article doesn’t include the Eye-Fi Mobi card, which makes it easier to connect to a tablet or smartphone.)
But perhaps the biggest disadvantage of the Transcend card is its inability to easily transfer files to a laptop or desktop. Technically it can do it, but it’s a painstaking process and one that I wouldn’t consider practical. Basically, the card uses a computer to achieve the same thing it can do on a mobile device, only with twice the steps. Users must find the Transcend Wi-Fi card’s network from the computer. Next, the user launches a browser and enters a lengthy IP address into the url bar. At that point I was better off just plugging the card into the good old card reader. By comparison, the Eye-Fi can connect to a laptop in a matter of seconds and upload images and videos in real time.
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