How Lightroom for iOS 2.4 Changes the Mobile Photo Landscape

Birdhouses

Over at TidBITS, I write in more depth about the changes in Lightroom for iOS 2.4, and they’re doozies: Lightroom for iOS 2.4 Changes Mobile Photo Workflow.

As I mentioned a couple of weeks ago, adding native raw file format support to Adobe’s mobile photo editor is a big deal, especially for people who are looking to use just an iPad or iPhone on photo shoots to minimize the gear they carry.

It means you don’t end up with separate edited copies of photos that are synced with Lightroom on the desktop—a raw file editing in Lightroom mobile is synced to your main library with edits intact. And the editing power takes a big leap in quality, pulling detail out of shadows without blocking up sections where JPEGs just don’t hold up.

For example, here’s an underexposed raw photo edited entirely in Lightroom on my iPad:

LRm24 raw before after

There’s a better example in the article that shows extreme pixelation in a JPEG.

I also talk about the new local selection tools, which are great for adjusting selected portions in linear or gradient areas. Here’s another before-and-after, showing the radial tools at work; I was able to bring up the exposure for just the birdhouses without overexposing the background.

Lightroom m24 local original

Lightroom m24 local radial

Overall, this is an exciting release, something I’ve been looking forward to for years. It streamlines the mobile photo workflow and does what I envisioned in 2011 when I wrote the first edition of my iPad for Photographers book.

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Lightroom for iOS 2.4 Adds Raw and Gradient Selections

Lightroom for iOS 2.4

Adobe just released a significant update for the iOS version of Lightroom, bringing two features mobile photographers are going to love: raw import and editing, and linear and radial graduated adjustments. The first could change how we work with photos in the field, and the second is a feature I use more and more on the desktop and have in the past resorted to interesting workarounds to implement on the iPad.

I need to dig more into this release, but it looks promising. Photos you import using Apple’s Lightning adapters are brought into the Photos app Camera Roll, and then recognized by Lightroom as raw. (Oh, but now I lament Apple’s choice of sticking with USB 2.0 speed for photo import on the 9.7-inch iPad Pro.) This could mean no longer needing to shoot in Raw+JPEG just to get a high-resolution JPEG to work with on the device.

(Remember, until now Lightroom wouldn’t even display raw images when importing them from the Camera Roll, and in most apps, the JPEG preview the camera creates to display on its LCD is what’s used for editing.)

Adobe says the app supports all the same raw formats that Lightroom on the desktop supports; I had no trouble opening and editing a handful of raw .RAF files from my Fuji X-T1.

Lightroom ios 2 4 raw badges

I’ll be writing more about this, looking at how Lightroom syncs the raw files back to the desktop, whether it’s practical to import a lot of images or just selected ones, and what this means for Apple’s upcoming raw image support in iOS 10.

For now, here’s more information from Adobe: Lightroom for Mobile July Releases.

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TriggerTrap Timelapse Pro

Triggertrap timelapsepro
Photo by TriggerTrap

In The iPad for Photographers, Third Edition, I included a page about TriggerTrap, a neat and useful iOS app that can trigger your DSLR’s shutter in a wide variety of ways (it also requires a separate connecting cable). I also reviewed it for Macworld.

Now TriggerTrap has introduced Timelapse Pro, a separate app that adds custom complexity to shooting timelapse videos.

…with Triggertrap Timelapse Pro, you don’t just get intervalometer features – there are also our brand new delay modules, enabling the construction of complex timelapse sequences for the first time in a Triggertrap app.

The modules are completely customisable: You can add as many as you like, reorder them, and delete them when you’re done! You can also save as many sequences as you like, so you are ready to go in every scenario.

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Lightroom mobile 1.3 Adds an Unexpected Editing Capability

While everyone was focused on the news of the new Photos for OS X developer preview, Adobe released a very interesting update to Lightroom mobile, its mobile companion to Adobe Photoshop Lightroom.

In previous versions of the app, there was a truly hidden, super powerful editing feature: not only could you copy adjustments made on the device between images, you could also copy adjustments made in the desktop Lightroom application. So, for example, if you’d applied a graduated filter on the desktop to an image and synced that image to Lightroom mobile, copying its adjustments to another photo also added the graduated filter—even though Lightroom mobile doesn’t offer a graduated filter tool. (See item #4, Copy Adjustments Between Photos, in this article of Lightroom mobile tips published at Peachpit.com a few months ago.)

Lightroom mobile 1.3 takes that one step further by enabling copying of adjustments in a more granular way. You can choose to copy only one type of edit and paste it. And that includes settings like Lens Corrections.

Watch the following video by Adobe’s Russell Brown to see the feature in action. It’s wonderfully cool.

Adobe Lightroom Mobile 1.3.0 from Russell Brown on Vimeo.

Photos for OS X Application Currently Missing at Apple.com

While Apple was announcing its record-breaking quarterly financial results (not just breaking its own records, but earning $74.6 billion, the most revenue of any company in any quarter in history), elves at the Apple site were busy.

According to 9to5 Mac, there’s now no mention of the successor to iPhoto and Aperture on Apple’s Web site.

Has the application been delayed? Shelved? Is Apple on the verge or releasing it and we’re seeing the preparation for new information to appear? I don’t know. I’ve reached out to my PR contacts at Apple to see if they can shed light on the situation.

But I’m certainly curious.

Article: iPhone Video Beyond Basic: FiLMiC Pro

FiLMiC Pro

One promise of the video-capture capabilities of the iPhone and iPad is being able to create movies without a lot of other expensive hardware. That can be shooting short movies, action clips, interviews, or even news segments. But when you need more than just the basics, turn to the app FiLMiC Pro. I write about this $7.99 gem at Lynda.com and explain why it’s essential for anyone who needs manual control over the video they capture, from locking focus and exposure independently to capturing video at a resolution higher than the built-in Camera app does.

Read about it here: iPhone Video Beyond Basic: Shooting with FiLMiC Pro.

iPad and iPhone VideoI also cover FiLMiC Pro in my book iPad and iPhone Video: Film, Edit, and Share the Apple Way. (Hint: It makes a great gift for the budding director in your family or circle of friends!)

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Article: Make Photo Gifts Right from Your iPhone or iPad

Print gifts finished book2

Still looking for holiday gift ideas? Start with the photos in your iPhone or iPad! Over at Lynda.com, I’ve written about methods for making photo gifts without requiring a trip to your computer. Apps and services can make prints, photo books, and other creations while you wait in line to see Santa.

I also spotlight a couple of interesting photo book options: Chatbooks and Groovebook are designed to make small books out of all of your mobile photos (with the ability to skip shots you don’t like, of course) inexpensively. Chatbooks charges $6 for a 60-page book, while Groovebook works as a subscription that costs $2.99 per month for a book of 40 to 100 pages.

This was a fun article to research. Check it out here: Make Photo Gifts Right from Your iPhone or iPad.

TriggerTrap Mobile Review at Macworld

Looking for a way to trip your DSLR’s shutter that’s more advanced than your fingers? TriggerTrap Mobile is an iOS app that controls the camera in numerous creative ways from an iPhone, iPad, or iPod touch. I reviewed it for Macworld: TriggerTrap Mobile review: control your camera’ shutter with your iOS device

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Cult of Mac Covers Mobile World Congress with iPhone and Eye-Fi

Charlie Sorrel at Cult of Mac details how he relied on his iPhone and an Eye-Fi card in a Fujifilm X100S camera to cover the Mobile World Congress this year. The event is the top venue for mobile phones and accessories. He writes:

A few years ago, when I first started covering the Mobile World Congress in Barcelona, I would turn up with a DSLR, a couple of lenses, a CF card reader, a MacBook (and power cable) and a backpack to carry it all in. I’d have to go to the press lounge to find a power outlet and an Ethernet jack (the Wi-Fi back then was so bad it wasn’t worth trying, even in the press lounge).

Now I can literally turn up with the iPhone in my pocket and cover everything, and arguably do it better. I didn’t really need the X100S to do the job, but I took it anyway because it made the job more fun. That’s pretty neat right there.

ShutterSnitch on the iPhone During Vacation

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In the second edition of The iPad for Photographers (which is available now!), I focus on using ShutterSnitch to import photos wirelessly from a camera using a Wi-Fi card such as the Eye-Fi to the iPad.

While I’ve been on vacation this week, however, I’ve been leaning on ShutterSnitch but using my iPhone instead. I’ve wanted to stay light while carrying gear around Disneyland, but “gear” also includes stuff to keep a 5-year-old fed and entertained for the day. (That includes lots of snacks, crayons, and paper for standing in long lines. I also have an iPod touch as a last resort, which so far hasn’t been needed.) And I haven’t been doing a great deal of photography. So although the iPad is light and portable, it’s still a bit of heft when my main goal isn’t photography.

My iPhone, though, is with me all the time, and ShutterSnitch works on all iOS devices, not just the iPad. The iPhone gives me three advantages over just taking photos with my camera: its Retina screen offers better previews of my photos; I can edit images using iPhoto, Photogene, or a bunch of other apps; and I can share those images easily.

Most shots have been of my daughter, so after importing photos into ShutterSnitch, I select a few, share them to the Camera Roll, and then send those to a Shared Photo Stream for family members to view instantly. I’ve also shared a few photos via Facebook and Flickr, also from the Camera Roll.

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Knowing that I’d be using my iPad and iPhone primarily, I’ve been shooting in Raw+JPEG format. That enables me to have raw files I can work with on my computer, but also have high-quality JPEGs for reviewing and sharing. ShutterSnitch includes a feature to transfer only JPEG files, dramatically cutting down the time it takes to transfer the files between camera and iPhone as well as reducing the amount of storage taken up by the images. I also turned on the highlight indicator to see where areas were getting blown out to white. (I discuss ShutterSnitch and its features in more detail in a CreativePro article that was just published: “ShutterSnitch, the Wireless Photo Assistant for iOS.”)

If I were more photo-focused on this trip, I’d probably stick to the iPad. (That’s my plan for an upcoming photo tour I’m taking in October.) But in this case, it’s been more convenient to use my iPhone as the device for reviewing and sharing photos. ShutterSnitch and an Eye-Fi card enabled me to do it anywhere I happened to be standing.