Photos Crash Course for iOS 10 and macOS Sierra

Tc photos v2Sometimes, it feels as if I’m a lone defender of Apple’s Photos app under macOS. Many people find it too different from iPhoto, or think it’s too basic (even though it’s actually quite sophisticated), or… I don’t know, they just don’t like change. Except for Aperture users who were abandoned by Apple—their discontent is understandable.

It’s not just because I wrote a book about Photos and Apple’s photo ecosystem. True, I use Lightroom as my primary photo library manager, but I also make extensive use of Photos and iCloud Photo Library.

And now macOS Sierra is out, with a new version of Photos that brings better searching, Memories, revamped people identification, and more!

Alas, when my publisher Peachpit Press all but vaporized early this year, the possibility to update my Photos book also went up in smoke. That’s too bad, because I really enjoyed writing it, and thought it turned out well.

However, I’m not the only Photos defender. My friend and colleague Jason Snell has just released the second edition of his highly regarded, and best-selling, Photos: A Take Control Crash Course. Jason has been immersed in Photos during the developer preview versions of macOS Sierra and knows it inside and out. The ebook is 74 pages of hard-won information, fully illustrated and written in Jason’s friendly, approachable style. And it’s only $10!

Photos is a key part of both macOS Sierra and iOS 10, so before you order Jason’s book using the link above, consider bundling it—at a discount—with Scholle McFarland’s Sierra: A Take Control Crash Course, Josh Centers’s iOS 10: A Take Control Crash Course, or both!

Buy the Photos, Sierra, and iOS 10 Crash Courses for $28
Buy the Photos and Sierra Crash Courses for $17.50
Buy the Photos and iOS 10 Crash Courses for $17.50

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How Lightroom for iOS 2.4 Changes the Mobile Photo Landscape


Over at TidBITS, I write in more depth about the changes in Lightroom for iOS 2.4, and they’re doozies: Lightroom for iOS 2.4 Changes Mobile Photo Workflow.

As I mentioned a couple of weeks ago, adding native raw file format support to Adobe’s mobile photo editor is a big deal, especially for people who are looking to use just an iPad or iPhone on photo shoots to minimize the gear they carry.

It means you don’t end up with separate edited copies of photos that are synced with Lightroom on the desktop—a raw file editing in Lightroom mobile is synced to your main library with edits intact. And the editing power takes a big leap in quality, pulling detail out of shadows without blocking up sections where JPEGs just don’t hold up.

For example, here’s an underexposed raw photo edited entirely in Lightroom on my iPad:

LRm24 raw before after

There’s a better example in the article that shows extreme pixelation in a JPEG.

I also talk about the new local selection tools, which are great for adjusting selected portions in linear or gradient areas. Here’s another before-and-after, showing the radial tools at work; I was able to bring up the exposure for just the birdhouses without overexposing the background.

Lightroom m24 local original

Lightroom m24 local radial

Overall, this is an exciting release, something I’ve been looking forward to for years. It streamlines the mobile photo workflow and does what I envisioned in 2011 when I wrote the first edition of my iPad for Photographers book.

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Lightroom for iOS 2.4 Adds Raw and Gradient Selections

Lightroom for iOS 2.4

Adobe just released a significant update for the iOS version of Lightroom, bringing two features mobile photographers are going to love: raw import and editing, and linear and radial graduated adjustments. The first could change how we work with photos in the field, and the second is a feature I use more and more on the desktop and have in the past resorted to interesting workarounds to implement on the iPad.

I need to dig more into this release, but it looks promising. Photos you import using Apple’s Lightning adapters are brought into the Photos app Camera Roll, and then recognized by Lightroom as raw. (Oh, but now I lament Apple’s choice of sticking with USB 2.0 speed for photo import on the 9.7-inch iPad Pro.) This could mean no longer needing to shoot in Raw+JPEG just to get a high-resolution JPEG to work with on the device.

(Remember, until now Lightroom wouldn’t even display raw images when importing them from the Camera Roll, and in most apps, the JPEG preview the camera creates to display on its LCD is what’s used for editing.)

Adobe says the app supports all the same raw formats that Lightroom on the desktop supports; I had no trouble opening and editing a handful of raw .RAF files from my Fuji X-T1.

Lightroom ios 2 4 raw badges

I’ll be writing more about this, looking at how Lightroom syncs the raw files back to the desktop, whether it’s practical to import a lot of images or just selected ones, and what this means for Apple’s upcoming raw image support in iOS 10.

For now, here’s more information from Adobe: Lightroom for Mobile July Releases.

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Raw Support Coming to iOS 10

Well now, this is interesting. PetaPixel spotted a feature in one of the slides during yesterday’s WWDC keynote that reads: “RAW photo editing.” We don’t yet know the details, but if iOS finally supports raw images, that could be a giant leap for mobile photo workflows. Raw is typically where the iPad has thrown a wrench into the works (as I describe in my book and elsewhere).

iOS 10 is available now to developers, with a public beta coming in July. The update will be available for everyone in the fall when we’ll see new iPhone models. I would bet (and the PetaPixel article brings up) that we’ll see some sort of raw capture on the new iPhones and perhaps the iPad, too.

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ColorSync Support in iOS 9.3 (!)

Truetone cool warm

Shortly after Apple announced the new 9.7-inch iPad Pro, I wrote a very quick take on the new True Tone display feature. True Tone automatically adjusts the color temperature of the iPad’s screen to complement the ambient light of your surroundings. For example, have you ever been in a room with warm light and checked email on an iPad, only to lose your eyeballs from the cool-bright burst of light? (Maybe I exaggerate…) True Tone is the answer to that.

However, my initial reaction as a photographer was wariness. If the color of the screen is changing depending on my environment, how can I do any sort of accurate editing? I confirmed that this will be a setting that can be turned off. And I continue to wait until I can get my hands on a device and test it out.

Well, True Tone turns out to be a lot more interesting. Developer Craig Hockenberry noted that the expanded color gamut of the 9.7-inch iPad Pro is just the beginning:

In order to make the effect work, iOS needs color management. And with iOS 9.3, that capability is now here—and open for other developers to work with:

The Open Radar report Craig created notes that iOS 9.3 now supports ColorSync, the technology found in OS X for managing color profiles.

Additionally, starting with iOS 9.3 ColorSync support was added to UIKit.

I’ve noticed that it works correctly for both UIColor in a UILabel and with a UIImage in a UIImageView. Are there any other places where ICC profiles are used?

In a conversation with Apple engineers, I also learned that some older devices do not match color. That’s fine, but devices should be listed so our apps can adapt gracefully to this situation.

Why is color management important? Until now, every iOS device ships with just one color profile, sRGB, which is a good general color space for drawing color on screens. The problem is that not all screens are built the same: the photo you view on your laptop may look different on a desktop monitor, which may look different still on a mobile device. Color management is a way to adjust each of those screens so that the image you’re working on remains consistent.

Apple’s screens are generally very good, but for photographers and other visual artists and designers, the inability to adjust the color profile has meant that the iPad is excluded from any serious image-processing workflows.

Now, with true color management possible on the iPad Pro, the tablet may find a place in that chain, and perhaps photographers will be able to do final adjustment work on an iPad instead of bringing a laptop.

We’ll see when the 9.7-inch iPad Pro begins to ship. As Craig notes in his report, it’s not clear whether this capability extends to other hardware or if this iPad Pro is the only one. But with a ColorSync foundation in iOS, it puts more “Pro” into iPad Pro.

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iPad Pro 9.7-inch and the Curious True Tone Display


Apple today introduced a 9.7-inch version of the iPad Pro, and I think it’s the next iPad for me. Although I really liked the larger iPad Pro (see my review in the Seattle Times), I found myself drawn more to the traditional size of my trusty iPad Air. It was better for reading and certainly better for carrying around (considering that the iPad is not my main computer; your mileage may vary).

The new iPad has just about everything the larger iPad Pro does: faster A9X processor, four great speakers, Apple Pencil support, a Retina display (at 2048 by 1536 pixels), better cameras, and—surprisingly important to me—a Touch ID sensor; my little iPad Air is the first generation, which does not have Touch ID.

But there are also two details that I’m looking forward to learning more about and experiencing in person. The iPad Pro page reads:

A color standard big enough for Hollywood.

The 9.7-inch iPad Pro display uses the same color space as the digital cinema industry. This wider color gamut gives iPad Pro up to 25 percent greater color saturation than previous iPad models. So colors are more vivid, true to life, and engaging.

This sounds very gee-whizzy, and the optimist in me wonders if this could actually be a step toward having color profiles. The realist in me is pretty sure it means the display technology is just improved, and there’s just the one default (as has always been the case with the iPad models).

The other new feature, though, is even more interesting:

See things in the best possible light. Whatever the lighting.

People love using iPad everywhere. That’s why the new 9.7‑inch iPad Pro has a True Tone display. It uses advanced four-channel ambient light sensors to automatically adapt the color and intensity of the display to match the light in your environment. Which means reading is more natural and comfortable — almost like looking at a sheet of paper.

In theory, this sounds great! How often have we turned on the iPad and been blinded by brightness or the stark white of a minimalist app? Making the viewing experience more comfortable in a variety of lighting conditions is quite cool.

For photographers, though, this sounds like a giant hassle. If the color temperature of the screen is changing based on surroundings, that means colors are going to shift. Viewing and editing photos becomes more of a crap-shoot. I hope there’s an option to disable this feature (or maybe there will be an API call that would enable developers of photo-editing software to turn it off while the app is running). [Update: I confirmed with Apple that you can turn off the feature in Settings.]

We’ll see. I’m looking forward to some hands-on time with the device to check these out in person.

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PhotosApp.Expert on iPad Mobile Workflow

The iPad Pro is prompting us to revisit mobile photo workflows using an iPad, and PhotosApp.Expert has just published a great overview of options: The Quest for a Viable iOS RAW Workflow. Definitely check it out.

I have an article coming soon for Macworld about how the iPad Pro stacks up for iPhoto photo workflows; I’ll post a link when it’s published.

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iPad Pro Lightning Port Is USB 3 Speed

Update, Nov. 12, 2015: I just confirmed with a source at Apple that there are forthcoming adapters that take advantage of the USB 3 speeds, but they aren’t yet confirming when they will ship. That’s bare-bones Apple-ese for “Yep, and you’ll find out more when we’re ready.”

As iPad Pro units are now shipping, people are discovering the USB 3 hardware and testing copy speeds between the iPad Pro and computers.

Original post, Sep. 11, 2015:

I learned a little tidbit from a source today: the Lightning port on the upcoming iPad Pro will transfer data at USB 3 speeds, faster than current iPads. 

That’s potentially good news for photographers and videographers who import images and video clips from SD cards or cameras directly to the iPad for editing and reviewing. I don’t know offhand if the existing Lightning camera adapters will also support that speed or if new adapters will be required. But it’s a welcome change for those of us who have spent many many minutes waiting for media to transfer before we can act on it.

I can’t wait to learn more details as we get closer to the November release date.

Related: I’m running a survey to see how photographers are using the iPad in their workflows. It takes just a couple of minutes, and you could win a bundle of three of my latest books. Click here to take the survey.

The iPad for Photographers survey results are here.

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Macworld Reviews Adobe Photoshop Fix

As mobile devices continue become more powerful, we can do more with them, and that applies to photo editing. Over at Macworld, J.R. Bookwalter reviews Adobe Photoshop Fix, which brings many of Photoshop’s image manipulation tools—such as distort and liquify—to iOS devices. He likes it, but wonders why Photoshop Fix and Photoshop Mix (ugh, they really couldn’t differentiate better than that?) are two separate tools:

“Together with Mix, Adobe Photoshop Fix is indeed the serious mobile retouching solution the company pledged to deliver. Now it’s time to either consolidate both into a single app or make it easier to move projects between each—and throw in extension support for Apple Photos while we’re at it.”

Survey Results: The State of the iPad for Photographers 2015


I started September with a question: How are people using the iPad with their photography? Is it really an invaluable addition to one’s camera bag, or is it an occasionally useful item? Is it even being used at all? Sales of iPads have been steadily dropping over the past couple of years, though I think that has more to do with the fact that people aren’t buying new iPads at the same rate as new iPhones. (Any company would kill for even Apple’s “low” sales numbers of iPads, but that’s a rant for another day.)

In 2011, I saw the potential of the iPad as a photographer’s tool and wrote the first edition of The iPad for Photographers, which detailed how you could review photos you capture using other cameras (at the time, the iPad 2 had only just come out, the first model to include an admittedly terrible camera), apply metadata to them to streamline the tagging process, and of course edit and share them—all without using a desktop or laptop computer. I published, in cooperation with my friends at Peachpit Press, two subsequent editions of the book.

So how are you using the iPad in 2015? I created a survey to find out, and the results are in some ways unexpected and other ways surprising. I encourage you to view the full results, but here’s the short version:

  • Most people who import photos to the iPad do so using the wired Camera Connection Kit (older iPads) or Lightning SD Card or USB adapters. Almost as many sync via iCloud, Lightroom mobile, Google Photos, or some other cloud service. The number of folks transferring photos directly from a camera’s built-in Wi-Fi feature was about half of those others, but considering how long it’s taken companies to implement Wi-Fi into cameras, the number is larger than I expected.
  • People rarely assign ratings or favorites to elevate the good photos from the not-so-good. I suspect this is because the process of importing photos onto the iPad is still time-consuming.
  • Most people don’t bother with any additional metadata. The fact that the apps designed for doing so (such as Photosmith and PhotosInfoPro) have all gone dormant bears this out.
  • More effort seems to be going into editing photos, and of the tools available, Snapseed is the leader, followed by Lightroom mobile and Apple’s built-in Photos app.
  • Surprisingly, the iPad Air 2 was the most-used model—the latest model available at the time the survey was posted. I expected that there would be a broader spread of older models. Of those, a little more than half were Wi-Fi–only models. The 64 GB configuration is the sweet spot in terms of storage.

A quick but important caveat: The survey attracted just 132 responses, which is less than I hoped, but it at least provides a window into the preferences of those who chose to take the survey.


The iPad is strong on editing, but the effort needed to get to that point is greater than it should be. That means using an iPad as a field companion—appealing especially for people who don’t want to tote a laptop along—is possible, but it’s hampered by slow ingest and limited storage. Perhaps the iPad Pro, which will offer USB 3 speeds through its Lightning port, may improve this.

I’m not too surprised that the Cloud has turned into a preferred method of moving photos onto the iPad, although of course the usefulness depends entirely on your current Internet connection—likely fine when you’re at home on the couch, but not so great in remote locations.

And, lastly, no one is using the iPad to apply metadata. This is the top request I hear from professional photographers, but I don’t think most regular people are doing it. Perhaps services like Google Photos, which comes up with its own metadata based on automated visual searches of photos, is the future here. I still believe that metadata is a powerful thing for photos, regardless of your photo skill level or interest; in my book Take Control of Your Digital Photos on a Mac, Second Edition, I present a painless way to do it on the Mac.

The big question as I write this is how, or if, the iPad Pro will affect the field. Apple still hasn’t implemented any type of raw format support into iOS, which reduces the Pro’s appeal for many photographers in terms of editing, although perhaps the iPad Pro will be fast and powerful enough to run an app such as PiRAWhna smoothly. We’ll have to see.

The survey results appear below. Thank you to everyone who took the time to take the survey and share their comments!













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