Want to check out the latest edition of The iPad for Photographers? Peachpit has posted Chapter 4, “The iPad in the Studio,” online and as a downloadable PDF. The PDF is a great way to get a feel for the full print or PDF edition of the book. (I absolutely love the design of this book, with lots of big color photos and screenshots.)
The second article in my series at Lynda.com about using an iPad in the field for photography is now posted. (You can read the Part 1 here.) This one takes us out into the field itself, where I discuss the advantages and the how-to of reviewing photos on location. I talk about using the Apple camera adapters and also wireless options like the Eyefi, which lets you review shots on the iPad while you’re shooting. I also offer ideas for recording location information and getting on-the-spot model releases easily.
Coinciding with the latest announcements from Adobe, two articles of mine were published this morning.
Lightroom mobile 1.1
For my first article at Lynda.com, I looked at Lightroom mobile 1.1. On the surface it appears to be an incremental update that delivers iPhone compatibility (which Adobe promised was coming when Lightroom mobile came out in April). However, it turns out that having the app on the iPhone can potentially change the way you work with mobile photos.
Right now, to get the shots you capture with the iPhone (and if you’re like me, you take a lot) into your Lightroom library, you need to connect the phone to your computer via a sync cable and import the photos like any other camera. Using the feature of Lightroom mobile 1.1 to automatically add new photos from the Camera Roll to a synced collection means your photos get zapped to your Lightroom library without any intervention.
Over at Macworld, I wrote a first-look article about Adobe’s new Photoshop Mix app for iPad. It’s an interesting use of the underlying Photoshop technologies that Adobe is putting into many of its apps, enabling you to perform image corrections on photos and also build compositions from different photos.
Hot on the presses, the third edition of The iPad for Photographers is done and being printed! I can’t wait for you to see the finished version, which has been updated to cover iOS 7, more wireless options, Lightroom mobile, a dedicated workflow chapter, and more. I also had fun re-shooting many of the chapter opener images. Based on typical printing, ebook conversion, and distribution schedules, the new edition should be available mid-June. Pre-order it now.
Lightroom mobile has been out just a week and already there’s evidence that what we’re using now is very much a 1.0, with new features in the works. This shouldn’t be surprising: the original Lightroom started fairly bare and aggressively added new features after its release.
One of the top surprises I’ve heard from people is the lack of a way to edit metadata for photos in the app—star ratings, keywords, IPTC data, and the like. I suspect those were probably planned for the app but held back so Adobe could ship the first version on the schedule they set for themselves.
Now, it’s clear that star ratings and other probably other metadata features are being worked on, following a tweet posted by Adobe’s Tom Hogarty this morning:
LrMobile eng mgr(Torsten) and design lead(Kai) talk star ratings over dinner in SJ.(And yes, that's an iphone) pic.twitter.com/doMoJWDTXT
Premiere photo site 500px has just published an article of mine that takes a high level overview of what an iPad can do for photographers: How an iPad Can Improve Your Photography. Think of it as the ultra-compact version of my iPad for Photographers book, covering the options for using the iPad as a portfolio, importing photos to the iPad and reviewing them in the field, adding all-important metadata, editing the shots, sharing images, and more.
I’m actually quite excited to appear on 500px, not only because I like what the company is doing, but because the people who post and read at the site tend to be extremely talented photographers. It’s fabulous company to be in.
Adobe has already pushed out a version 1.0.1 of Lightroom mobile, fixing little bugs but also changing one behavior that could be costly if you own a Wi-Fi + cellular iPad. Initially, the default was to sync photos and adjustments only over Wi-Fi connections. You could turn that off if you wanted to allow syncing over a cellular connection if Wi-Fi wasn’t an option.
Now, Sync Only Over WiFi is disabled by default. If you set up a collection to sync but didn’t launch Lightroom mobile while on Wi-Fi, those images are sent over the cellular connection, eating up your monthly bandwidth allocation. Depending on your cellular plan and the amount of photos you’re syncing, that change may not be an problem. But it seems like an odd change to me.
To sync only via Wi-Fi, open Lightroom mobile, tap your name in the top-left corner, and move the Sync Only Over WiFi switch to the On position (to the right).
It looks like Apple’s supply of iPad 2s has finally tapped out. As of yesterday, the least expensive full-size iPad option is now the fourth-generation iPad instead of the iPad 2. That’s great news for anyone who wants an iPad but can’t afford the iPad Air.
The 4th-gen iPad comes in only a 16 GB configuration, in black or white, for $399 (or $529 for the LTE cellular-equipped model). The differences between this iPad and the iPad 2 is striking: the 4th-gen iPad boasts a vastly better processor, more graphics capabilities, more working memory (1 GB compared to the iPad 2’s 512 MB), and of course the high-resolution Retina display. This model will definitely have a longer useful life than if you were to buy an iPad 2.