Macworld’s Jackie Dove has published her review of iPhoto 2.0 for iOS, the new version of Apple’s mobile photo editor for iPhone, iPad, and iPod touch. She likes it quite a bit, writing:
iPhoto 2.0 for iOS is a fantastic upgrade to Apple’s mobile consumer image editing flagship program; its streamlined, updated interface is a joy to use. Though not as cute and whimsical as last year’s debut version, its swift operation, direct controls, enhanced sharing, and no-nonsense interface make it a must-have upgrade.
Other pressing deadlines have kept me from digging into the new version in depth, but it’s still the photo editor I turn to first on my iPad. I’m looking forward to seeing how well it performs on my new iPad Air, since Jackie’s review suggests a lot of the processing is now being handled by the graphics processor.
Federico Viticci at Macstories writes about a very interesting change in Apple’s latest iPhoto 2.0 app for iPhone and iPad. In the first version of iPhoto for iOS, images you edit stay in iPhoto unless you explicitly share them back to the Camera Roll. This situation applies to other applications, too, due to the sandboxing security architecture that keeps apps separated in their own virtual workspaces.
iPhoto 2.0, however, manages to tunnel under the sandbox walls and updates edited photos in the Camera Roll without any additional export step. If you view the image in the Photos app and tap the Edit button, you can edit the original.
In another great move, you can now delete photos from the Camera Roll from within iPhoto: Tap the More button (which looks like an outlined ellipses … ) in the bottom-right corner and choose Delete. There’s also an option to hide a photo from view in iPhoto there.
Go read Federico’s article for more details. Currently this functionality doesn’t seem to be accessible by third-party developers, but I’m hoping it doesn’t stay Apple-only.
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Photos are meant to be viewed large. Yet when taking a shot—that crucial moment when we should be most discerning—we usually rely on the camera’s small LCD to preview the image. The traditional solution has been to “tether” the camera to a computer, so you can view shots on a large screen as they’re captured, or even control the camera’s settings and trigger the shutter remotely. That approach lets you correct the scene or settings and reshoot immediately if anything looks amiss.
But tethering can be limiting. Setting up a laptop on location is often inconvenient—and even if you’re shooting in a studio, tethering typically involves snaking a USB cable between the camera and the computer.
I think the headline is a little misleading, since I specifically talked about using an iPad and the iUSBportCamera app is just for the iPad. But I can understand that “smartphone” is likely to draw a bigger audience.
Here’s a cool new invention: Triggertrap, which makes an iOS app for triggering a camera, just announced the Triggertrap Flash Adapter. I wrote about Triggertrap in the second edition of the book because it does much more than just remotely activating the camera’s shutter—you can set up long-exposure or intervalometer-timed shots and set them off by sounds, by vibration, facial recognition, and more.
The Triggertrap Flash Adapter controls one or two (simultaneously) strobe flashes. That enables better high-speed photography (think popping balloons or splashing water droplets). Be sure to watch the video where CEO Haje Jan Kamps demonstrates how it works.
Leanna Lofte at iMore.com has a good article listing apps for pro photographers that isn’t just a collection of image editors. In fact, there isn’t any editing involved here. Instead, Lofte spotlights apps for handling the business side of being a photographer, tracking expenses, and getting model releases (such as Easy Release, which I feature in the book).
Apple released iTunes 11 today, which sports a revamped interface—and a slightly new way of interacting with iPads, iPhones, and iPod touches. Over at TidBITS, I detail what’s new and different: iTunes 11 Thinks Different about iOS Devices.