While everyone was focused on the news of the new Photos for OS X developer preview, Adobe released a very interesting update to Lightroom mobile, its mobile companion to Adobe Photoshop Lightroom.
In previous versions of the app, there was a truly hidden, super powerful editing feature: not only could you copy adjustments made on the device between images, you could also copy adjustments made in the desktop Lightroom application. So, for example, if you’d applied a graduated filter on the desktop to an image and synced that image to Lightroom mobile, copying its adjustments to another photo also added the graduated filter—even though Lightroom mobile doesn’t offer a graduated filter tool. (See item #4, Copy Adjustments Between Photos, in this article of Lightroom mobile tips published at Peachpit.com a few months ago.)
Lightroom mobile 1.3 takes that one step further by enabling copying of adjustments in a more granular way. You can choose to copy only one type of edit and paste it. And that includes settings like Lens Corrections.
Watch the following video by Adobe’s Russell Brown to see the feature in action. It’s wonderfully cool.
Dan Provost at Studio Neat (the inventors of the Glif tripod mount for iPhones) took a closer look at the Time-Lapse feature in the Camera app under iOS 8. If you’ve tried it out, the mode is dead simple; there are no configuration options, you just start recording and the app’s “dynamically selected intervals” do all the work.
When Apple introduced the updated Photos app under iOS 8, the company showed off a lot of cool new editing tools that were clearly taken from iPhoto for iOS. What I didn’t expect was that iPhoto wouldn’t work at all under iOS 8. (Although I’ve been running betas of iOS 8 for several weeks, I realized I’d never tried to open iPhoto for iOS… which is probably a sign that iPhoto wasn’t being used in favor of other tools; and just that I’ve been really busy lately.)
When you launch iPhoto for iOS, you see this message:
Tap Migrate and all the photos you’ve edited in iPhoto are copied to your Photos library.
Edits you made in iPhoto are baked into the photos; you can’t re-edit the adjustments. However, you can tap Revert to revert the image to its original state, and then re-edit that.
Anything you marked as a favorite in iPhoto is added to a Favorites album
Everything migrated appears in the Recently Added album, which can be a little confusing because normally those items are chronological based on when you capture photos.
Any photos in your iPhoto library that aren’t already in Photos are added.
Image adjustments you made in iPhoto are migrated to Photos.
If you applied image adjustments to photos synced to your iOS device from iTunes, a duplicate of each photo will be created in Photos with adjustments applied.
Photos hidden in iPhoto do not appear in the Years, Moments, or Collections views in Photos, but are placed in an album titled Hidden.
Photo Books, Web Journals, and Slideshows are converted into regular albums in Photos. Text and layouts are not preserved.
Only projects created on the device performing the migration will be converted. Projects you synced from other devices to iPhoto via iCloud must be converted from the devices on which they were created.
Photos marked as Favorites in iPhoto are marked as Favorites in Photos.
Tags and captions from iPhoto are not displayed in Photos, but you can use them as search terms and they will show up respectively as Keywords and Titles in Photos search results.
Flags from iPhoto are converted to the keyword Flagged.
One thing I miss from iPhoto is the ability to make spot-adjustments, versus making an adjustment that applies to the entire image. However, the Extensions capability of iOS 8 should fill in that gap by letting you use editing controls from other apps you’ve installed.
Apple released iOS 7.1 today, finally conquering the dreaded crashing bug that would force the device into what appeared to be a restart (actually it was the app that lists the applications, internally called Springboard, that was crashing and bringing up the Apple logo screen). Macworld runs down some of the other changes, but as far as I can tell nothing else directly applies to photographers using iPads. The only camera-related improvement is a new Auto HDR setting, but it applies only to the iPhone 5s, not the iPad.
However, the folks over at C2 Enterprises note that iOS 7.1 introduced a bug that crashes Photosmith when importing images from the Camera Roll. The crash doesn’t affect the images you import—everything completes successfully—but you’re kicked back to the applications screen. They write:
This app crash isn’t as catastrophic as it appears – It’s a display-only bug, and your photos and metadata are perfectly safe. No data loss will result from this crash. Restarting Photosmith after the import crash will show all your previously imported photos in Photosmith’s catalog (including the photos imported just prior to the crash). You may continue working as your normally would in Photosmith.
More importantly, Photosmith will continue functioning as it did prior to updating to iOS 7.1. Importing photos via Eye-Fi, FTP, iTunes, or when syncing with Lightroom, isn’t impacted by this issue. This is an issue specific with how we’re handing the import dialog window after the import is completed. Instead of closing the import window and displaying the normal Photosmith interface, the entire Photosmith app shuts down.
Part of the issue is that Apple didn’t release a “final” build to developers before releasing iOS 7.1; the devs discovered the bug in the shipping version.
Nonetheless, iOS 7.1 has been in the works for a while, and I’m glad it’s here.
Macworld’s Jackie Dove has published her review of iPhoto 2.0 for iOS, the new version of Apple’s mobile photo editor for iPhone, iPad, and iPod touch. She likes it quite a bit, writing:
iPhoto 2.0 for iOS is a fantastic upgrade to Apple’s mobile consumer image editing flagship program; its streamlined, updated interface is a joy to use. Though not as cute and whimsical as last year’s debut version, its swift operation, direct controls, enhanced sharing, and no-nonsense interface make it a must-have upgrade.
Other pressing deadlines have kept me from digging into the new version in depth, but it’s still the photo editor I turn to first on my iPad. I’m looking forward to seeing how well it performs on my new iPad Air, since Jackie’s review suggests a lot of the processing is now being handled by the graphics processor.
Federico Viticci at Macstories writes about a very interesting change in Apple’s latest iPhoto 2.0 app for iPhone and iPad. In the first version of iPhoto for iOS, images you edit stay in iPhoto unless you explicitly share them back to the Camera Roll. This situation applies to other applications, too, due to the sandboxing security architecture that keeps apps separated in their own virtual workspaces.
iPhoto 2.0, however, manages to tunnel under the sandbox walls and updates edited photos in the Camera Roll without any additional export step. If you view the image in the Photos app and tap the Edit button, you can edit the original.
In another great move, you can now delete photos from the Camera Roll from within iPhoto: Tap the More button (which looks like an outlined ellipses … ) in the bottom-right corner and choose Delete. There’s also an option to hide a photo from view in iPhoto there.
Go read Federico’s article for more details. Currently this functionality doesn’t seem to be accessible by third-party developers, but I’m hoping it doesn’t stay Apple-only.
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Photos are meant to be viewed large. Yet when taking a shot—that crucial moment when we should be most discerning—we usually rely on the camera’s small LCD to preview the image. The traditional solution has been to “tether” the camera to a computer, so you can view shots on a large screen as they’re captured, or even control the camera’s settings and trigger the shutter remotely. That approach lets you correct the scene or settings and reshoot immediately if anything looks amiss.
But tethering can be limiting. Setting up a laptop on location is often inconvenient—and even if you’re shooting in a studio, tethering typically involves snaking a USB cable between the camera and the computer.
I think the headline is a little misleading, since I specifically talked about using an iPad and the iUSBportCamera app is just for the iPad. But I can understand that “smartphone” is likely to draw a bigger audience.
Here’s a cool new invention: Triggertrap, which makes an iOS app for triggering a camera, just announced the Triggertrap Flash Adapter. I wrote about Triggertrap in the second edition of the book because it does much more than just remotely activating the camera’s shutter—you can set up long-exposure or intervalometer-timed shots and set them off by sounds, by vibration, facial recognition, and more.
The Triggertrap Flash Adapter controls one or two (simultaneously) strobe flashes. That enables better high-speed photography (think popping balloons or splashing water droplets). Be sure to watch the video where CEO Haje Jan Kamps demonstrates how it works.
Leanna Lofte at iMore.com has a good article listing apps for pro photographers that isn’t just a collection of image editors. In fact, there isn’t any editing involved here. Instead, Lofte spotlights apps for handling the business side of being a photographer, tracking expenses, and getting model releases (such as Easy Release, which I feature in the book).
Apple released iTunes 11 today, which sports a revamped interface—and a slightly new way of interacting with iPads, iPhones, and iPod touches. Over at TidBITS, I detail what’s new and different: iTunes 11 Thinks Different about iOS Devices.