Dan Provost at Studio Neat (the inventors of the Glif tripod mount for iPhones) took a closer look at the Time-Lapse feature in the Camera app under iOS 8. If you’ve tried it out, the mode is dead simple; there are no configuration options, you just start recording and the app’s “dynamically selected intervals” do all the work.
Adobe’s Russell Brown sent a group of photographers to Iceland to shoot a promotional video for Lightroom mobile, and boy is it wonderful. The visuals are just gorgeous, but the clip also does a great job of explaining some of the editing tools and presets available in Lightroom mobile.
When Apple introduced the updated Photos app under iOS 8, the company showed off a lot of cool new editing tools that were clearly taken from iPhoto for iOS. What I didn’t expect was that iPhoto wouldn’t work at all under iOS 8. (Although I’ve been running betas of iOS 8 for several weeks, I realized I’d never tried to open iPhoto for iOS… which is probably a sign that iPhoto wasn’t being used in favor of other tools; and just that I’ve been really busy lately.)
When you launch iPhoto for iOS, you see this message:
Tap Migrate and all the photos you’ve edited in iPhoto are copied to your Photos library.
Edits you made in iPhoto are baked into the photos; you can’t re-edit the adjustments. However, you can tap Revert to revert the image to its original state, and then re-edit that.
Anything you marked as a favorite in iPhoto is added to a Favorites album
Everything migrated appears in the Recently Added album, which can be a little confusing because normally those items are chronological based on when you capture photos.
Any photos in your iPhoto library that aren’t already in Photos are added.
Image adjustments you made in iPhoto are migrated to Photos.
If you applied image adjustments to photos synced to your iOS device from iTunes, a duplicate of each photo will be created in Photos with adjustments applied.
Photos hidden in iPhoto do not appear in the Years, Moments, or Collections views in Photos, but are placed in an album titled Hidden.
Photo Books, Web Journals, and Slideshows are converted into regular albums in Photos. Text and layouts are not preserved.
Only projects created on the device performing the migration will be converted. Projects you synced from other devices to iPhoto via iCloud must be converted from the devices on which they were created.
Photos marked as Favorites in iPhoto are marked as Favorites in Photos.
Tags and captions from iPhoto are not displayed in Photos, but you can use them as search terms and they will show up respectively as Keywords and Titles in Photos search results.
Flags from iPhoto are converted to the keyword Flagged.
One thing I miss from iPhoto is the ability to make spot-adjustments, versus making an adjustment that applies to the entire image. However, the Extensions capability of iOS 8 should fill in that gap by letting you use editing controls from other apps you’ve installed.
It seemed fitting that I heard the news that Apple is sunsetting Aperture while I was attending a photo seminar. Aperture has been largely dormant for the past three years, and as I commented to Jackie Dove in an article at The Next Web, “I have to admit, on one level I’m a bit relieved that we finally know what’s happening with Aperture, instead of the limbo it’s been in for the last few years.” (Is it weird to quote myself on my own blog?)
What does this news mean for photographers who’ve invested countless hours and gigabytes of photos to Aperture? In short, we need to wait and see what Apple’s new Photos for OS X application will bring, but I’m not optimistic it will meet everyone’s needs, especially right away.
In photography, the “golden hour” is that slice of time just before and after sunset when the sun is low in the sky and the light is often bronze-hued and dramatic. It’s one of the best times of the day to capture photos, but the good light too soon rolls over into darkness.
Apple’s professional photo-management application, Aperture, has enjoyed an extended golden hour. Although Adobe Photoshop Lightroom long ago dominated the market, Aperture has held on in development limbo — working fine (but sludgy, in my experience) for those who use it, but not updated in any meaningful way. Now, its light is close to winking out: Apple announced last week that it will soon halt development of Aperture.
Coinciding with the latest announcements from Adobe, two articles of mine were published this morning.
Lightroom mobile 1.1
For my first article at Lynda.com, I looked at Lightroom mobile 1.1. On the surface it appears to be an incremental update that delivers iPhone compatibility (which Adobe promised was coming when Lightroom mobile came out in April). However, it turns out that having the app on the iPhone can potentially change the way you work with mobile photos.
Right now, to get the shots you capture with the iPhone (and if you’re like me, you take a lot) into your Lightroom library, you need to connect the phone to your computer via a sync cable and import the photos like any other camera. Using the feature of Lightroom mobile 1.1 to automatically add new photos from the Camera Roll to a synced collection means your photos get zapped to your Lightroom library without any intervention.
Over at Macworld, I wrote a first-look article about Adobe’s new Photoshop Mix app for iPad. It’s an interesting use of the underlying Photoshop technologies that Adobe is putting into many of its apps, enabling you to perform image corrections on photos and also build compositions from different photos.
Lightroom mobile has been out just a week and already there’s evidence that what we’re using now is very much a 1.0, with new features in the works. This shouldn’t be surprising: the original Lightroom started fairly bare and aggressively added new features after its release.
One of the top surprises I’ve heard from people is the lack of a way to edit metadata for photos in the app—star ratings, keywords, IPTC data, and the like. I suspect those were probably planned for the app but held back so Adobe could ship the first version on the schedule they set for themselves.
Now, it’s clear that star ratings and other probably other metadata features are being worked on, following a tweet posted by Adobe’s Tom Hogarty this morning:
LrMobile eng mgr(Torsten) and design lead(Kai) talk star ratings over dinner in SJ.(And yes, that's an iphone) pic.twitter.com/doMoJWDTXT
Premiere photo site 500px has just published an article of mine that takes a high level overview of what an iPad can do for photographers: How an iPad Can Improve Your Photography. Think of it as the ultra-compact version of my iPad for Photographers book, covering the options for using the iPad as a portfolio, importing photos to the iPad and reviewing them in the field, adding all-important metadata, editing the shots, sharing images, and more.
I’m actually quite excited to appear on 500px, not only because I like what the company is doing, but because the people who post and read at the site tend to be extremely talented photographers. It’s fabulous company to be in.
The book features 53 pages of detailed information on how to use Lightroom mobile, including lots of tips on how to get the most out of Adobe’s new remote tool. And it costs just $8! As near as I can tell, this is the first book about Lightroom mobile on the market. (Update: Victoria Bampton, aka The Lightroom Queen, also released a book. Go buy her book, too!)
The book walks you through creating and syncing collections from the desktop version of Lightroom, as well as creating collections on the iPad itself (and why you’d want to do it). It also goes into detail about the app’s editing features, covers the many gestures used to speed things up, and more.
Here are some page samples. Buy it now (not-so-subtle-hint), and let me know what you think!
And here’s a first for me: I’m quoted in Adobe’s press release! (Yes, mine is one of the quotes that journalists often skim over, sometimes rolling their eyes as they do so.) The folks working with the development program for Lightroom mobile approached me, since I’m the author of The iPad for Photographers:
“Adobe Lightroom mobile transforms the way I am able to work with my photographs because now I can review and process photos when I’m comfortable and creative, and not just when I’m at my computer,” said Jeff Carlson, educator and author of The iPad for Photographers and Adobe Lightroom mobile: Your Lightroom on the Go. “It also works as a malleable photo portfolio on my iPad. As I add or remove images from a collection in Lightroom mobile or on the computer, the changes stay synchronized. When I need to show my work those photos are already set up to be viewed.”
I’ll definitely have more to say about Lightroom mobile soon, but Adobe’s posts and my First Look article are good places to start.