Macworld’s Jackie Dove has published her review of iPhoto 2.0 for iOS, the new version of Apple’s mobile photo editor for iPhone, iPad, and iPod touch. She likes it quite a bit, writing:
iPhoto 2.0 for iOS is a fantastic upgrade to Apple’s mobile consumer image editing flagship program; its streamlined, updated interface is a joy to use. Though not as cute and whimsical as last year’s debut version, its swift operation, direct controls, enhanced sharing, and no-nonsense interface make it a must-have upgrade.
Other pressing deadlines have kept me from digging into the new version in depth, but it’s still the photo editor I turn to first on my iPad. I’m looking forward to seeing how well it performs on my new iPad Air, since Jackie’s review suggests a lot of the processing is now being handled by the graphics processor.
Google announced improvements to its Google+ service today, with a focus on photography. One of the items mentioned was an update to Snapseed that adds a new HDR Scope filter to the versatile image editor. According to Google, this implementation uses pixel edge detection instead of relying solely on tone mapping. As soon as the iOS app update was available, I had to throw an image at it and see what the results were.
Here’s an original photo, shot with a Nikon D90 and imported to my iPad via Eye-Fi. This is the JPEG portion of the Raw+JPEG pair I shot.
Here’s the same shot taken into the HDR Scape filter. This is with a setting strength of +83, the default that Snapseed used.
That’s too much HDR effect for me, so I dialed the effect down to +47. Total time editing: about two minutes.
Federico Viticci at Macstories writes about a very interesting change in Apple’s latest iPhoto 2.0 app for iPhone and iPad. In the first version of iPhoto for iOS, images you edit stay in iPhoto unless you explicitly share them back to the Camera Roll. This situation applies to other applications, too, due to the sandboxing security architecture that keeps apps separated in their own virtual workspaces.
iPhoto 2.0, however, manages to tunnel under the sandbox walls and updates edited photos in the Camera Roll without any additional export step. If you view the image in the Photos app and tap the Edit button, you can edit the original.
In another great move, you can now delete photos from the Camera Roll from within iPhoto: Tap the More button (which looks like an outlined ellipses … ) in the bottom-right corner and choose Delete. There’s also an option to hide a photo from view in iPhoto there.
Go read Federico’s article for more details. Currently this functionality doesn’t seem to be accessible by third-party developers, but I’m hoping it doesn’t stay Apple-only.
In the “learn something new” department, I ran across an interesting discovery today.
First, some setup. I woke up before dawn to catch the sunrise in the Columbia River Gorge, and for some reason my camera’s battery didn’t last very long—I think it was the combination of the cold weather, composing my shots using Live View, and transferring the images from my Eye-Fi card to my iPad. With a full day of shooting ahead, and only one extra battery available, I was in trouble.
Jump ahead a few hours, I want to transfer my newest photos to the iPad but not kill the spare battery in the camera. So, I attach my iPad Camera Connection SD adapter to copy the photos directly. The problem is that connecting the SD card to the iPad using the adapter means I need to import the raw versions of my photos in addition to the JPEGs. (I’m shooting raw+JPEG so I can edit better-quality photos on the iPad than the previews generated by the camera.) What I want to do is import into ShutterSnitch which includes an option to copy only JPEG images.
That brings me to the surprise: I opened ShutterSnitch to see if it could import directly from the adapter (it can’t; Apple blocks access to the sync port, I believe), but suddenly the photos started importing anyway. The trick is that I’m using an Eye-Fi card. And when the card is connected to the iPad using the camera adapter, the iPad is also supplying the card with power, which in turn activates the Eye-Fi’s wireless hotspot.
So even though the card is physically connected to the iPad, it’s transferring images via Wi-Fi! Pretty cool when you don’t want to tax your camera battery and bypass the Camera Roll.
The iPad is a great photo viewer, but does it have enough oomph to handle photo retouching? Yes! In my latest article at Peachpit.com, I look at several ways to edit photos on the iPad, including red-eye removal, removing unwanted objects in the image, and compositing: Tips for iPad Photo Retouching
Hopefully you’re not sick of my voice yet: Chris. Breen invited me to talk iPad and photography on this week’s Macworld Podcast. We also went into some detail about capturing photos with the iPad and iPhone, and looked at the state of the current tech related to photographers using iPads (with speculation of what could come in the future).
I’ve had the great pleasure to do several podcasts and interviews about The iPad for Photographers, Second Edition. Last week I talked to the wonderful David Sparks and Katie Floyd for their Mac Power Users Podcast (listen to the episode here). In it, we talk about all sorts of iPad photography topics, but mostly I’m sure David just wanted some great advice before he left on vacation. (He admits to it several times.) It’s a fun conversation, and I hope you enjoy it!
Summer isn’t over yet, and my latest Seattle Times Practical Mac column looks at options for capturing GPS (Global Positioning Satellite) location data to record where your photos are taken. I talk about using an iPhone or other GPS-enabled smartphone to grab locations by shooting reference photos alongside the shots you take with a digital camera, as well as recording tracklogs that keep up with your location and then merging that data with your photos later. Link: Tagging your summer travel photos with GPS location info.
Photos are meant to be viewed large. Yet when taking a shot—that crucial moment when we should be most discerning—we usually rely on the camera’s small LCD to preview the image. The traditional solution has been to “tether” the camera to a computer, so you can view shots on a large screen as they’re captured, or even control the camera’s settings and trigger the shutter remotely. That approach lets you correct the scene or settings and reshoot immediately if anything looks amiss.
But tethering can be limiting. Setting up a laptop on location is often inconvenient—and even if you’re shooting in a studio, tethering typically involves snaking a USB cable between the camera and the computer.
I think the headline is a little misleading, since I specifically talked about using an iPad and the iUSBportCamera app is just for the iPad. But I can understand that “smartphone” is likely to draw a bigger audience.
HyperDrive has released an update to its iUSBport app that drives the iUSBportCamera wireless device. The iUSBportCamera connects to your DSLR’s USB port and enables you to control the camera from your iPad.
According to the (minimal) release notes, the new app adds HDR and Time Lapse capture modes, background downloading, and updated firmware for the iUSBportCamera device.
I wasn’t able to include much information in the book about the iUSBportCamera due to time constraints—I didn’t receive a review unit until the book was sent to the printer—but its functions are very similar to the CameraMator described in Chapter 3. That’s because originally they were the same device: HyperDrive distributed the CameraMator until it and the original CameraMator design had a falling out. Now, the iUSBportCamera and the CameraMator share the same hardware. HyperDrive developed the iUSBportCamera and the designer is working on a new device called the CamNexus.