Adobe Demonstrates Early Lightroom for iPad App

This should come as no surprise: Adobe is working on a “Lightroom for iPad” app. What is unexpected is that a very early version exists enough to demonstrate the concept, which is exactly what Tom Hogarty did on Scott Kelby’s The Grid program. Cnet reports:

Adobe Systems plans to release high-end photo-editing software for tablets. The new app would be a close relative to Adobe’s Lightroom software for PCs and serve as a cloud-connected companion to the program.

Tom Hogarty, Adobe’s group product manager for Lightroom, demonstrated an early prototype version of the app Wednesday on the Grid, an online show from Photoshop guru Scott Kelby.

Adobe has done a good job with PC-centric photography software, but the company needs to better incorporate Internet connectivity and mobile devices into photography workflow, Hogarty said.

The article cites Photosmith and its ability to apply metadata and then sync it with Lightroom, but also touts the Adobe app’s capability to edit raw files. I’m impressed that the demo was done on an iPad 2, which includes just 512 MB of active memory. The third- and fourth-generation iPads contain 1 GB of memory, but still, apps that work with raw formats such as PiRAWhna are slow because the memory and processing demands are so high to work with raw files.f

It’s definitely an engineering hurdle, but with tablets gaining in popularity and PCs dropping, Adobe needs to plant a flag and embrace the future. I would be surprised if Apple isn’t working on an Aperture for iPad, or some utility that syncs with Aperture; more likely, that app will be an expanded iPhoto.

Macworld Reviews the Seagate Wireless Plus

Over at Macworld, Roman Loyola reviewed the Seagate Wireless Plus Wi-Fi hard drive. Although he doesn’t mention this specific purpose, the Wireless Plus finally delivers on the promise of being able to transfer files from the iPad so you can back up the photos you import. See “Seagate Wireless Plus Appears” for more detail. I’ve been using the drive and like it.

Neighborhood Blossoms

Walking around the neighborhood, I took advantage of the fact that the cherry blossoms are in full bloom and haven’t yet been blown off by the wind or rain. This was shot with a Nikon D600 and then, at a nearby café, I used Nikon’s WU-1b wireless adapter to transfer the image to my iPad. I then did some minor adjustments in Snapseed and uploaded it.

The Nikon app that communicates with the WU-1b is just an iPhone app, so it doesn’t take full advantage of the iPad’s screen. But it does have a really nice feature: I can selectively transfer images. (I think ShutterSnitch has this capability, too, but I need to test it out.)

Neighborhood Blossoms

Me and the Book in the New York Times and Chicago Tribune

Apparently it’s Jeff-in-the-Media Day!

Nick Bilton at the New York Times wrote a great overview article about using the iPad with photography: The iPad as a Hand-Held Darkroom.

Jeff Carlson, author of the book “The iPad for Photographers,” sometimes bypasses the iPad camera connection kit in favor of an EyeFi SD card and an app called ShutterSnitch ($16). EyeFi cards, which range from $40 to $100 depending on speed and memory size, can connect directly with your iPad wirelessly. Mr. Carlson said that although EyeFi offers a free app, ShutterSnitch is much faster and has a more advanced interface.

Mr. Carlson said he sometimes captures RAW images with his digital cameras. These are uncompressed and large files, often used by professional photographers because they preserve more of the image quality than standard JPEG files. To handle these files he sometimes uses the apps piRAWnha or Photoraw, both $10. But his favored application is Photosmith ($20) an advanced tool that can wirelessly transfer pictures to your desktop computer for printing or editing later.

It was awfully nice of him to link directly to the book on Amazon, too.

I was also interviewed a few weeks ago by Liz Granger at the Chicago Tribune, who included a couple of points from me in her good overview article A decent holiday photo — is that too much to ask?.

Thoughts about the iPad mini for Photographers

[This article originally appeared at TidBITS on 12 November 2012]

Like a lot of other people, I’m getting familiar with a new iPad mini during this first week of its availability, and so far I can unequivocally state that my wife will steal it from me if given any opportunity.

But while other writers are thinking about how it fares for average customers (my take: people are going to love it), I want to look at the iPad mini in terms of how it would work for photographers.

After using iPads since the original model, I’ve become convinced that the tablet is a great addition to a photographer’s camera bag, regardless of whether you’re a pro or casual shooter. In fact, I was inspired to publish a book earlier this year, “The iPad for Photographers,” that goes into depth on the topic.

The iPad mini will appeal to photographers much in the same way it appeals to most potential customers: the smaller size and reduced weight is a draw for folks who want a better look at their photos when shooting in the field, but pros who need to show off their work in the best possible way may opt for a full-size iPad with a Retina display. When I wanted to shoot the last day of my daughter’s soccer league, for example, I could have brought either model, but my instinct was to reach for the iPad mini. Because the iPad mini does everything the full-size iPad does, I had no concerns about being limited later when I would review and share photos from a coffee shop.

iPad mini in the Field — Photography involves gear. That could involve capturing photos with a point-and-shoot camera, or carrying a DSLR, several interchangeable lenses, a portable lighting kit, and more. And digital photography — which has mostly become a redundant term — also involves a computer of some sort for storing and working with the photos you shoot.

Laptops make this process easier, but they also involve gear, especially if you’re shooting on location, or going on vacation where you may want to avoid any temptation of work. Portability becomes paramount, and although the 9.7-inch iPad is a big improvement over laptops, the iPad mini is a revelation. It occupies less space and weighs far less than a regular iPad, while still giving you a screen for reviewing photos that is far better than the tiny LCD on the back of most cameras.

The extra gear required for an iPad mini could fit into an envelope. A sync cable and power adapter for charging, and some way to get photos directly from a camera onto the iPad. Apple now sells two camera adapters: the Lightning to SD Card Camera Reader and the Lightning to USB Camera Adapter, each priced at $29. If you already own the iPad Camera Connection Kit (also $29, but you get both USB and SD adapters) for older iPads, and you want to continue to be able to use both adapters, you’ll need to buy a Lightning to 30-pin adapter (available as a $29 one-piece adapter or as a $39 0.2m cable). Or, you can get an Eye-Fi wireless SD memory card for your camera and transfer photos via Wi-Fi.

With 10 hours of battery life (which some people are reporting is a conservative estimate), the iPad mini doesn’t demand that you scramble for a power outlet after just a few hours of use. When you do have to recharge the device, it doesn’t take as long as the Retina iPad models, which contain massive batteries that can take 6 to 8 hours to fully charge.

Non-Retina Isn’t a Problem — The top criticism of the iPad mini is the screen. Or rather, it’s the screen it doesn’t have: a Retina display. The iPad mini’s screen has the same resolution as the iPad 2 at 1024 by 768 pixels, though the pixel density is higher, at 163 ppi, thanks to physically smaller pixels.

People accustomed to Retina displays will notice a difference when reading text, but photos look great, even when you zoom in to check whether an image is in focus or to spy details. And in general, I’m noticing that the more I use the iPad mini, the less I care about the reduced resolution compared to my third-generation Retina iPad; it’s a jarring adjustment at first, but my eyes have adjusted.

Resolution aside, the screen on the iPad mini is still very good. When I compared some samples with the fourth-generation iPad with Retina display, I found the iPad mini to be a bit cooler (or the Retina iPad a bit warmer), especially when looking at an app like iBooks.

Ipadmini comparison ibooks

For photos, the Retina screen fares better in terms of saturation and warmth, but not dramatically so. This comparison shot, taken with a Nikon D90, makes the effect more pronounced than it appears in person.

Ipadmini comparison photo

You’re definitely paying more for a better screen in a Retina iPad, but for more casual use or for getting a better read on how images are shaping up in the field, the iPad mini is perfectly fine.

It’s the Ecosystem — Perhaps the most important aspect of the iPad mini is that it’s still a fully functional iPad. Too often we think of something “smaller” as having fewer features, and Apple certainly could have made a single-purpose device like an Amazon Kindle. But the iPad mini runs the same software as its larger siblings, which gives you a portable photo studio in your camera bag. You can review, rate, and tag photos using an app such as Photosmith; edit them in iPhoto for iOS or dozens of other apps; and post them to your favorite photo-sharing sites. That’s in addition to using the device for keeping up with email and news, storing ebooks and camera manuals as PDFs for easy reference, and, of course, playing games during downtime.

Many photographers may not be interested in the iPad as a photo studio or in-the-field reviewer, but they do see it as a great portfolio presentation device. It’s so much more convenient to meet a potential client in a coffee shop with an iPad instead of a bulky photo album.

The iPad mini runs dedicated portfolio software such as Portfolio for iPad, so you can definitely keep your best photos at easy reach. However, the larger screen of the Retina iPad makes for a more dramatic impact if you’re selling your photos and ability. I expect pro photographers will stick with a Retina iPad for this purpose.

iPad mini as Camera — I admit I cringe when I see people holding up a 9.7-inch iPad to capture a photo (it was worse when the only option was the iPad 2, which has a crummy camera), but I’m seeing that happen more often. The smaller physical size of the iPad mini should make shooting photos more tolerable, both in the sense that the cameras have improved — the FaceTime camera on the front is quite nice for video chatting — and that taking photos won’t be as socially awkward; people behind you won’t be watching your iPad as if it were a small Jumbotron.

In terms of image quality, the iPad mini’s 5 megapixel iSight camera performs decently; the fourth-generation iPad with Retina display shares the same camera specs (although the good folks at Boinx discovered that the larger iPad’s camera takes slightly better photos while the iPad mini has a wider field of view).

Ipadmini photos leaves ipadmini

It’s better than having nothing at all, of course, but my iPhone 4S captures better shots, and I would assume the iPhone 5 (which I haven’t used) improves upon that. But really, serious photographers aren’t likely to buy any iPad for its photo-capture capabilities.

Ipadmini photos leaves iphone4s

A Photographer’s Companion — If your most important consideration is size and weight, the iPad mini is an easy choice — and it’s less expensive than a full-size iPad, too, although in either case we’re still talking about spending several hundred dollars. The iPad mini isn’t using the latest, fastest processor, but I haven’t found areas yet that suffer from the difference. Developers must design their apps to work within tight memory and processor restrictions as it is, so it doesn’t feel as if buying an iPad mini means making a significant step down in terms of performance. The simple truth is that you’re using an iPad, only this one happens to be smaller and lighter for those who value those characteristics.

[Republished from TidBITS#1150/12-Nov-12; reuse governed by Creative Commons license. TidBITS has offered years of thoughtful commentary on Apple and Internet topics. For free email subscriptions and access to the entire TidBITS archive, visit tidbits.com.]

Derrick Story Offers the Ultimate Workflow for iPhoto for iOS

Over at Macworld, multi-hyphenate Derrick Story offers the “ultimate workflow” for processing photos using iPhoto on the iPad.

A growing number of enthusiast photographers are traveling with iPads instead of laptops. The lighter weight, thinner body, and WiFi + Cellular connectivity of an iPad (if you go that route) makes for a good companion on the road.

But just because you leave the computer at home doesn’t mean that you should ignore it when you return. Its greater horsepower and storage options make it a better choice for managing large photo libraries.

Watch my Photo Club Webcast

The replay of my Peachpit Photo Club webcast is now live. See how to wirelessly transfer photos from any camera to the iPad — live! Watch as I edit photos in iPhoto for iOS! Marvel at how I can start the presentation without realizing that I hadn’t yet shared my screen with the rest of the webcast! (Whoops. Thanks to my wonderful editor for breaking in and pointing that out. It’s just the first couple of minutes.)

I had a great time doing this presentation — enough to consider doing this type of thing more often. Maybe a few Google+ hangouts going into more depth on some features? Let me know in the comments if that’s something you’d like to see.

CLick here to access the presentation.

Ron Martinsen Tests Eye-Fi with Nikon D800 and Canon 5D Mark III

Eye fi card

How does the wireless Eye-Fi memory card handle the load of working with the large image files created by the Nikon D800 and Canon 5D Mark III? Pro photographer Ron Martinsen writes about the results on his blog.

I cover the Eye-Fi in some depth in The iPad for Photographers, and also recommend using ShutterSnitch for handling the transfer to the iPad.