iPad Pro Lightning Port Is USB 3 Speed

Update, Nov. 12, 2015: I just confirmed with a source at Apple that there are forthcoming adapters that take advantage of the USB 3 speeds, but they aren’t yet confirming when they will ship. That’s bare-bones Apple-ese for “Yep, and you’ll find out more when we’re ready.”

As iPad Pro units are now shipping, people are discovering the USB 3 hardware and testing copy speeds between the iPad Pro and computers.

Original post, Sep. 11, 2015:

I learned a little tidbit from a source today: the Lightning port on the upcoming iPad Pro will transfer data at USB 3 speeds, faster than current iPads. 

That’s potentially good news for photographers and videographers who import images and video clips from SD cards or cameras directly to the iPad for editing and reviewing. I don’t know offhand if the existing Lightning camera adapters will also support that speed or if new adapters will be required. But it’s a welcome change for those of us who have spent many many minutes waiting for media to transfer before we can act on it.

I can’t wait to learn more details as we get closer to the November release date.

Related: I’m running a survey to see how photographers are using the iPad in their workflows. It takes just a couple of minutes, and you could win a bundle of three of my latest books. Click here to take the survey.

The iPad for Photographers survey results are here.

If you like the work I do, please consider signing up for my low-volume newsletter that I use to announce new projects, items, and giveaways that I think my readers would be interested in.

Macworld Reviews Adobe Photoshop Fix

As mobile devices continue become more powerful, we can do more with them, and that applies to photo editing. Over at Macworld, J.R. Bookwalter reviews Adobe Photoshop Fix, which brings many of Photoshop’s image manipulation tools—such as distort and liquify—to iOS devices. He likes it, but wonders why Photoshop Fix and Photoshop Mix (ugh, they really couldn’t differentiate better than that?) are two separate tools:

“Together with Mix, Adobe Photoshop Fix is indeed the serious mobile retouching solution the company pledged to deliver. Now it’s time to either consolidate both into a single app or make it easier to move projects between each—and throw in extension support for Apple Photos while we’re at it.”

Survey Results: The State of the iPad for Photographers 2015


I started September with a question: How are people using the iPad with their photography? Is it really an invaluable addition to one’s camera bag, or is it an occasionally useful item? Is it even being used at all? Sales of iPads have been steadily dropping over the past couple of years, though I think that has more to do with the fact that people aren’t buying new iPads at the same rate as new iPhones. (Any company would kill for even Apple’s “low” sales numbers of iPads, but that’s a rant for another day.)

In 2011, I saw the potential of the iPad as a photographer’s tool and wrote the first edition of The iPad for Photographers, which detailed how you could review photos you capture using other cameras (at the time, the iPad 2 had only just come out, the first model to include an admittedly terrible camera), apply metadata to them to streamline the tagging process, and of course edit and share them—all without using a desktop or laptop computer. I published, in cooperation with my friends at Peachpit Press, two subsequent editions of the book.

So how are you using the iPad in 2015? I created a survey to find out, and the results are in some ways unexpected and other ways surprising. I encourage you to view the full results, but here’s the short version:

  • Most people who import photos to the iPad do so using the wired Camera Connection Kit (older iPads) or Lightning SD Card or USB adapters. Almost as many sync via iCloud, Lightroom mobile, Google Photos, or some other cloud service. The number of folks transferring photos directly from a camera’s built-in Wi-Fi feature was about half of those others, but considering how long it’s taken companies to implement Wi-Fi into cameras, the number is larger than I expected.
  • People rarely assign ratings or favorites to elevate the good photos from the not-so-good. I suspect this is because the process of importing photos onto the iPad is still time-consuming.
  • Most people don’t bother with any additional metadata. The fact that the apps designed for doing so (such as Photosmith and PhotosInfoPro) have all gone dormant bears this out.
  • More effort seems to be going into editing photos, and of the tools available, Snapseed is the leader, followed by Lightroom mobile and Apple’s built-in Photos app.
  • Surprisingly, the iPad Air 2 was the most-used model—the latest model available at the time the survey was posted. I expected that there would be a broader spread of older models. Of those, a little more than half were Wi-Fi–only models. The 64 GB configuration is the sweet spot in terms of storage.

A quick but important caveat: The survey attracted just 132 responses, which is less than I hoped, but it at least provides a window into the preferences of those who chose to take the survey.


The iPad is strong on editing, but the effort needed to get to that point is greater than it should be. That means using an iPad as a field companion—appealing especially for people who don’t want to tote a laptop along—is possible, but it’s hampered by slow ingest and limited storage. Perhaps the iPad Pro, which will offer USB 3 speeds through its Lightning port, may improve this.

I’m not too surprised that the Cloud has turned into a preferred method of moving photos onto the iPad, although of course the usefulness depends entirely on your current Internet connection—likely fine when you’re at home on the couch, but not so great in remote locations.

And, lastly, no one is using the iPad to apply metadata. This is the top request I hear from professional photographers, but I don’t think most regular people are doing it. Perhaps services like Google Photos, which comes up with its own metadata based on automated visual searches of photos, is the future here. I still believe that metadata is a powerful thing for photos, regardless of your photo skill level or interest; in my book Take Control of Your Digital Photos on a Mac, Second Edition, I present a painless way to do it on the Mac.

The big question as I write this is how, or if, the iPad Pro will affect the field. Apple still hasn’t implemented any type of raw format support into iOS, which reduces the Pro’s appeal for many photographers in terms of editing, although perhaps the iPad Pro will be fast and powerful enough to run an app such as PiRAWhna smoothly. We’ll have to see.

The survey results appear below. Thank you to everyone who took the time to take the survey and share their comments!













If you like the work I do, please consider signing up for my low-volume newsletter that I use to announce new projects, items, and giveaways that I think my readers would be interested in.

The Hidden Editing Power of Photos for OS X

Photos hidden 06 levels finetune

Photos for OS X is a consumer application, replacing iPhoto, but you’ll be surprised at how capable it is as a photo editor. In my latest article for Macworld, I look at several unexpected ways the editing features are more powerful than it appears, from keyboard shortcuts to the sophisticated Levels tool.

Read it here: The Hidden Editing Power of Photos for OS X

(Fair warning: the Macworld page includes an annoying auto-playing video. In fact, as I write this, all the comments in the article are about the video. Macworld’s editors can’t do anything about it, unfortunately: it’s a business decision made higher up. I know first-hand that the editors have tried for years to get rid of the autoplay videos.)

Speaking of Photos for OS X, my new book is now available!


If you like the work I do, please consider signing up for my low-volume newsletter that I use to announce new projects, items, and giveaways that I think my readers would be interested in.

Review: Capture One Pro

Captureone raw adjust after

When I wrote the Macworld review of Adobe Lightroom CC 2015, several people in the comments brought up Capture One Pro, another photo manager and editor with a loyal following. Macworld hadn’t ever reviewed it, so I pitched it to my great editors and they said yes.

Read it here: Capture One Pro 8.3 review: Aperture replacement light on library features, strong on editing tools

I last looked at Capture One Pro years ago and wasn’t impressed, but of course software changes over time. With the demise of Apple’s Aperture, people are looking for alternatives. And the truth of the matter is that some people just don’t like Lightroom, or they object to Adobe’s subscription pricing model.

Capture One Pro’s main selling point is that it’s a better raw converter than other software, and my experience with the latest version reflected that. The software also has lots of great editing features. The photo above shows the “after” version of an image I posted the other day (and which was picked up by Flickr’s Explore feature); you can see the “before” version in the Macworld review.

That said, I found the organization features to be frustrating in many areas, so I’m not going to give up Lightroom as my current tool of choice. (Well, it’s not like I get to use just one; I have photos in many applications for a variety of projects, like my Photos for OS X book.)

You can download Capture One Pro for free and use it for 30 days. If you’re at all interested, give it a spin and see if it works for your photos. The price to buy is steeper than others: $299. But if it clicks for you, it may just be worth it.

If you like the work I do, please consider signing up for my low-volume newsletter that I use to announce new projects, items, and giveaways that I think my readers would be interested in.

Take Lightroom on Your Next Photo Shoot

Skyward, Redwoods

Knowing that I was away on a photo workshop in Northern California, an editor I’ve worked with for years contacted me with an interesting assignment: to write about how I use Adobe Lightroom in the field.

I’ve spent a lot of time (and three editions of my book The iPad for Photographers) thinking about how best to incorporate mobile technology into photography, and the field keeps moving forward. As a Lightroom CC user, I really like Lightroom mobile and how it syncs photos and adjustments from my iPad to my Mac and vice-versa.

The result is a new article, with a generous helping of photos from the Redwoods, posted today at Adobe Inspire: Take Lightroom on Your Next Shoot.

I outline a workflow for shooting, importing, and reviewing photos within Lightroom and the Creative Cloud ecosystem. One thing that surprised me: I found myself shooting more bracketed photos and side-by-side collections knowing that I could process those easily using the new Photo Merge HDR and Panorama tools in Lightroom CC.

One note, for those of you who have followed this field with me: I bypassed mentions of importing photos to the iPad while out shooting, which leads to special considerations for syncing and loading raw files later. (You can read more about that in my book.) What’s in the article is a streamlined, more sane approach to syncing and reviewing photos that won’t scare away novices.

Check out the article, and feel free to leave feedback here. I’d love to hear your thoughts.

If you like the work I do, please consider signing up for my low-volume newsletter that I use to announce new projects, items, and giveaways that I think my readers would be interested in.

My Review of Photos for OS X at Macworld

Apple dropped OS X Yosemite 10.10.3 today, and with it the release version of the new Photos for OS X. You can read my detailed review of the replacement for iPhoto and Aperture at Macworld here: Review: Photos for OS X is faster than iPhoto but less powerful than Aperture.

Lightroom mobile 1.3 Adds an Unexpected Editing Capability

While everyone was focused on the news of the new Photos for OS X developer preview, Adobe released a very interesting update to Lightroom mobile, its mobile companion to Adobe Photoshop Lightroom.

In previous versions of the app, there was a truly hidden, super powerful editing feature: not only could you copy adjustments made on the device between images, you could also copy adjustments made in the desktop Lightroom application. So, for example, if you’d applied a graduated filter on the desktop to an image and synced that image to Lightroom mobile, copying its adjustments to another photo also added the graduated filter—even though Lightroom mobile doesn’t offer a graduated filter tool. (See item #4, Copy Adjustments Between Photos, in this article of Lightroom mobile tips published at a few months ago.)

Lightroom mobile 1.3 takes that one step further by enabling copying of adjustments in a more granular way. You can choose to copy only one type of edit and paste it. And that includes settings like Lens Corrections.

Watch the following video by Adobe’s Russell Brown to see the feature in action. It’s wonderfully cool.

Adobe Lightroom Mobile 1.3.0 from Russell Brown on Vimeo.

Lightroom mobile – Iceland

Adobe’s Russell Brown sent a group of photographers to Iceland to shoot a promotional video for Lightroom mobile, and boy is it wonderful. The visuals are just gorgeous, but the clip also does a great job of explaining some of the editing tools and presets available in Lightroom mobile.

(A reminder: I wrote a Fuel ebook that covers Lightroom mobile: Adobe Lightroom mobile: Your Lightroom on the Go, only $8!)

After you’ve watched the video a couple of times, be sure to take a look at the behind-the-scenes video, especially if you lust after photo drones.

iPhoto for iOS Is Dead under iOS 8

When Apple introduced the updated Photos app under iOS 8, the company showed off a lot of cool new editing tools that were clearly taken from iPhoto for iOS. What I didn’t expect was that iPhoto wouldn’t work at all under iOS 8. (Although I’ve been running betas of iOS 8 for several weeks, I realized I’d never tried to open iPhoto for iOS… which is probably a sign that iPhoto wasn’t being used in favor of other tools; and just that I’ve been really busy lately.)

When you launch iPhoto for iOS, you see this message:

IPhoto dead migrate

Tap Migrate and all the photos you’ve edited in iPhoto are copied to your Photos library.

  • Edits you made in iPhoto are baked into the photos; you can’t re-edit the adjustments. However, you can tap Revert to revert the image to its original state, and then re-edit that.
  • Anything you marked as a favorite in iPhoto is added to a Favorites album
  • Everything migrated appears in the Recently Added album, which can be a little confusing because normally those items are chronological based on when you capture photos.

In a support note about this turn of events, Apple also notes many other circumstances that will apply:

  • Any photos in your iPhoto library that aren’t already in Photos are added.
  • Image adjustments you made in iPhoto are migrated to Photos.
  • If you applied image adjustments to photos synced to your iOS device from iTunes, a duplicate of each photo will be created in Photos with adjustments applied.
  • Photos hidden in iPhoto do not appear in the Years, Moments, or Collections views in Photos, but are placed in an album titled Hidden.
  • Photo Books, Web Journals, and Slideshows are converted into regular albums in Photos. Text and layouts are not preserved.
  • Only projects created on the device performing the migration will be converted. Projects you synced from other devices to iPhoto via iCloud must be converted from the devices on which they were created.
  • Photos marked as Favorites in iPhoto are marked as Favorites in Photos.
  • Tags and captions from iPhoto are not displayed in Photos, but you can use them as search terms and they will show up respectively as Keywords and Titles in Photos search results.
  • Flags from iPhoto are converted to the keyword Flagged.

One thing I miss from iPhoto is the ability to make spot-adjustments, versus making an adjustment that applies to the entire image. However, the Extensions capability of iOS 8 should fill in that gap by letting you use editing controls from other apps you’ve installed.