The third and last article in my iPad Photography in the Field series at Lynda.com is now up! It’s an extra long entry that covers how to use the iPad to sort your good photos from the not-so-good ones. It also explains how to apply essential metadata like keywords and IPTC information to your photos so you don’t need to do it later when you’re back at the computer, saving a ton of time.
Want to check out the latest edition of The iPad for Photographers? Peachpit has posted Chapter 4, “The iPad in the Studio,” online and as a downloadable PDF. The PDF is a great way to get a feel for the full print or PDF edition of the book. (I absolutely love the design of this book, with lots of big color photos and screenshots.)
This Tuesday, July 15, join me online for a free Peachpit Photo Club Web presentation about The iPad for Photographers. The video event kicks off at 5 p.m. PST (8 p.m. EST), when I’ll be talking about options for using the iPad in the field, and working with Lightroom mobile, Photosmith, and other apps. Although the video should be available later, I encourage you to watch it live if possible so you can ask questions
Coinciding with the presentation, Peachpit has named the new, iPad for Photographers Third Edition its Ebook of the Week, pricing it at just $9.99 (50% off)! That includes PDF, EPUB, and Mobi (Kindle) formats—perfect to have as a reference on your iPad during photo excursions.
Not sure if the book is for you (or for someone who’d enjoy it as a gift)? Peachpit also put up a free chapter to sample.
The second article in my series at Lynda.com about using an iPad in the field for photography is now posted. (You can read the Part 1 here.) This one takes us out into the field itself, where I discuss the advantages and the how-to of reviewing photos on location. I talk about using the Apple camera adapters and also wireless options like the Eyefi, which lets you review shots on the iPad while you’re shooting. I also offer ideas for recording location information and getting on-the-spot model releases easily.
The author introduces and discusses more than 50 iPad apps that can be used for everything from wirelessly downloading from your camera to your iPad to editing photos, music, and movies on the iPad to controlling your DSLR from the iPad… I started using three of them even before finishing this review.
It seemed fitting that I heard the news that Apple is sunsetting Aperture while I was attending a photo seminar. Aperture has been largely dormant for the past three years, and as I commented to Jackie Dove in an article at The Next Web, “I have to admit, on one level I’m a bit relieved that we finally know what’s happening with Aperture, instead of the limbo it’s been in for the last few years.” (Is it weird to quote myself on my own blog?)
What does this news mean for photographers who’ve invested countless hours and gigabytes of photos to Aperture? In short, we need to wait and see what Apple’s new Photos for OS X application will bring, but I’m not optimistic it will meet everyone’s needs, especially right away.
In photography, the “golden hour” is that slice of time just before and after sunset when the sun is low in the sky and the light is often bronze-hued and dramatic. It’s one of the best times of the day to capture photos, but the good light too soon rolls over into darkness.
Apple’s professional photo-management application, Aperture, has enjoyed an extended golden hour. Although Adobe Photoshop Lightroom long ago dominated the market, Aperture has held on in development limbo — working fine (but sludgy, in my experience) for those who use it, but not updated in any meaningful way. Now, its light is close to winking out: Apple announced last week that it will soon halt development of Aperture.
Coinciding with the latest announcements from Adobe, two articles of mine were published this morning.
Lightroom mobile 1.1
For my first article at Lynda.com, I looked at Lightroom mobile 1.1. On the surface it appears to be an incremental update that delivers iPhone compatibility (which Adobe promised was coming when Lightroom mobile came out in April). However, it turns out that having the app on the iPhone can potentially change the way you work with mobile photos.
Right now, to get the shots you capture with the iPhone (and if you’re like me, you take a lot) into your Lightroom library, you need to connect the phone to your computer via a sync cable and import the photos like any other camera. Using the feature of Lightroom mobile 1.1 to automatically add new photos from the Camera Roll to a synced collection means your photos get zapped to your Lightroom library without any intervention.
Over at Macworld, I wrote a first-look article about Adobe’s new Photoshop Mix app for iPad. It’s an interesting use of the underlying Photoshop technologies that Adobe is putting into many of its apps, enabling you to perform image corrections on photos and also build compositions from different photos.